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File:Duisburg, Landschaftspark Duisburg-Nord, Hochofenstraße -- 2025 -- 7441.jpg

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Captions

Captions

Blast furnace road (at night) Landschaftspark Duisburg-Nord, North Rhine-Westphalia, Germany (2025)

Summary

[edit]
Description
Deutsch: Hochofenstraße (bei Nacht) Landschaftspark Duisburg-Nord, Nordrhein-Westfalen, Deutschland
Die Lichtinstallation wurde im Dezember 1996 als Dauerbeleuchtung in Betrieb genommen. Sie wurde vom britischen Künstler Jonathan Park gestaltet. Die drei Farben Rot, Grün und Blau erinnern an die Funktionen des Hüttenwerks: Feuer und Hitze, Gas und Wasser.
Der Landschaftspark Duisburg-Nord (auch kurz „LaPaNo“ oder „LaPaDu“) ist ein etwa 180 Hektar großer Landschaftspark rund um ein stillgelegtes Hüttenwerk in Duisburg-Meiderich. Das frühere Werk wurde 1902 von August Thyssen als „Aktiengesellschaft für Hüttenbetrieb“ zur Versorgung seiner Siemens-Martin-Stahlwerke in Bruckhausen und Styrum gegründet und am 16. Mai 1903 mit der Anblasung von Hochofen 1 in Betrieb genommen. 1985 wurde der Hochofen 5 nach gerade mal zwölf Jahren Betriebszeit aufgrund von Überkapazitäten auf dem europäischen Stahlmarkt als letzter verbliebender Hochofen stillgelegt. In den 1990er Jahren wurden die Hallen, Gebäude und das Außengelände nach den Plänen der Architekten Peter Latz + Partner umgestaltet. 1994 wurde der Park der Öffentlichkeit zugänglich gemacht.
English: Blast furnace road (at night) Landschaftspark Duisburg-Nord, North Rhine-Westphalia, Germany
The light installation was put into operation as permanent lighting in December 1996. It was designed by British artist Jonathan Park. The three colors red, green and blue are reminiscent of the functions of the ironworks: fire and heat, gas and water.
The Duisburg-Nord Landscape Park (also known as “LaPaNo” or “LaPaDu” for short) is a landscape park covering around 180 hectares surrounding a disused steelworks in Duisburg-Meiderich. The former plant was founded in 1902 by August Thyssen as a “joint-stock company for metallurgical operations” to supply his Siemens-Martin steelworks in Bruckhausen and Styrum, and went into operation on May 16, 1903, with the firing up of blast furnace 1. In 1985, blast furnace 5 was shut down after just twelve years of operation due to overcapacity on the European steel market, making it the last remaining blast furnace. In the 1990s, the halls, buildings, and outdoor areas were redesigned according to plans by architects Peter Latz + Partner. In 1994, the park was opened to the public.
Dansk: Højovnsvej (om natten) Landschaftspark Duisburg-Nord, Nordrhein-Westfalen, Tyskland
Ελληνικά: Δρόμος υψικαμίνου (τη νύχτα) Landschaftspark Duisburg-Nord, Βόρεια Ρηνανία-Βεστφαλία, Γερμανία
Español: Carretera de altos hornos (de noche) Landschaftspark Duisburg-Nord, Renania del Norte-Westfalia, Alemania
Français : Route des hauts-fourneaux (de nuit) Landschaftspark Duisburg-Nord, Rhénanie-du-Nord-Westphalie, Allemagne
Ἀρχαία ἑλληνικὴ: Strada dell’altoforno (di notte) Landschaftspark Duisburg-Nord, Renania Settentrionale-Vestfalia, Germania
Italiano: Strada dell’altoforno (di notte) Landschaftspark Duisburg-Nord, Renania Settentrionale-Vestfalia, Germania
Nederlands: Hoogovenweg (bij nacht) Landschaftspark Duisburg-Nord, Noordrijn-Westfalen, Duitsland
Polski: Droga do wielkiego pieca (nocą) Landschaftspark Duisburg-Nord, Nadrenia Północna-Westfalia, Niemcy
Türkçe: Yüksek fırın yolu (gece) Landschaftspark Duisburg-Nord, Kuzey Ren-Vestfalya, Almanya
Українська: Доменна дорога (вночі) Landschaftspark Duisburg-Nord, Північний Рейн-Вестфалія, Німеччина
中文(繁體):​高爐路夜景。德國北杜伊斯堡景觀公園

This image shows a heritage building in Germany, located in the North Rhine-Westphalian city Duisburg-Meiderich/Beeck (no. 506, Landschaftspark Duisburg-Nord). Baudenkmal in Nordrhein-Westfalen (zu den Denkmallisten)
Address
InfoField
Landschaftspark Duisburg-Nord
Emscherstraße 71
47137 Duisburg, North Rhine-Westphalia
Germany
Location
InfoField
Germany Meiderich/BeeckDuisburgDüsseldorf Government RegionNorth Rhine-WestphaliaGermanyEurope
Depicts
InfoField
Landschaftspark Duisburg-Nord – park in Duisburg, Germany
Technical Specifications
InfoField
129 mm, f/11, 25 s, ISO 100 
CameraCanon EOS 5D Mark IV
Camera lensEF70-300mm f/4-5.6 IS II USM
Focal length129 mm
Exposure time25 s
Diaphragmf/11
ISO speedISO 100
Image data
InfoField
17.8 Mpx, 3776 × 4720 px 
Image resolution17.8 Mpx
Width × Height3776 × 4720 px
Paper size
Dots per inch:300 dpi240 dpi150 dpi72 dpi50 dpi
Size:320×400 mm400×500 mm639×799 mm1332×1665 mm1918×2398 mm
Distance:20 cm30 cm50 cm150 cm300 cm
File formatJPEG File Interchange Format
Bit depth8 Bit
File size8.6 MiB
Aspect ratio4:5
Color spacesRGB
AssessmentsFeatured picturesQuality imagesOne of the author’s top 12 photos of the year
Date Taken on 14 March 2025, 21:43
Source Own work
Author
Dietmar Rabich (1962–)  wikidata:Q34788025
 
Dietmar Rabich
Description German amateur photographer, wikipedian and mathematician
Date of birth 1962 Edit this at Wikidata
Location of birth North Rhine-Westphalia Edit this at Wikidata
Work period from 1975
date QS:P,+1975-00-00T00:00:00Z/7,P580,+1975-00-00T00:00:00Z/9
Work location
Münsterland, nördliches Ruhr Area
Authority file
creator QS:P170,Q34788025
Permission
(Reusing this file)
Dieser Text und viele andere auch sind ebenso in deutscher Sprache verfügbar. Um diese sehen zu können, wähle bitte auf dieser Webseite die Spracheinstellung „Deutsch“.
I. Licence
This photograph is protected by copyright law. However, it may be used for free by anyone, provided it is used in accordance with the license Creative Commons License “Attribution-ShareAlike 4.0 International” (CC BY-SA 4.0). These include, among other things, the naming of the author and the license, as well as the setting of a link to the license text or its complete imprint. The attribution should be done as follows:
Please read the text of the license carefully before using the photograph. If you do not agree with the conditions of the license or if you do not understand these conditions, please refrain from using the photo. If you have any questions regarding the license or the reuse of the image, please contact me before using it. If you do not comply with the terms of the license, you do not acquire any right to use the image. If you need another license to use, please contact the author before using.
For informations about the licence see section Licensing or as human-readable summary or as full licence text at Creative Commons. In addition to the above, a link to the source - so this page with the descriptions and license terms - is appreciated. More information or examples of use can be found at re-use (with example file). The Attribution Generator is helpful in licensing matters.
As an alternative to the Creative Commons License CC BY-SA 4.0, the Free Art License (from version 1.3) may also be used.
II. Fairness
From printed materials and other tangible products that use that work, the user is asked to send a copy to the author as thank you. However, this is not a condition for the use of the photo, but a voluntary service. The mailing address can be requested via the contact options.
Please note that the author had quite considerable effort to draw up this file. Thus, it is only fair to comply with the conditions of free licenses listed here. In the case of violation of the license conditions, the rights granted hereunder will expire automatically.
III. Disclaimer
Please note that the license applies solely for the reuse of the photograph itself. The license doesn't grant you any right regarding the depicted object (eg, copyright or proprietary rights) or the personality rights of the person eventually shown. (See licences and non-copyright restrictions.) I do not grant any warranty that the subsequent use of the photograph is legally possible concerning the object or person shown in the photograph. You are responsible to check and respect these rights in the publication in the respective medium or country.
The author is not responsible for the accuracy of the information contained herein (description, title, etc.). Likewise, the author assumes no liability for further use. Please note the general disclaimer and please read reusing content outside Wikimedia too.
IV. Contact
Other versions
Attribution
(required by the license)
InfoField
Dietmar Rabich / Wikimedia Commons / “Duisburg, Landschaftspark Duisburg-Nord, Hochofenstraße -- 2025 -- 7441” / CC BY-SA 4.0
For print products: Dietmar Rabich / https://commons.wikimedia.org/wiki/File:Duisburg,_Landschaftspark_Duisburg-Nord,_Hochofenstra%C3%9Fe_--_2025_--_7441.jpg / https://creativecommons.org/licenses/by-sa/4.0/
- Alternatively: Dietmar Rabich / https://w.wiki/DaWX / https://creativecommons.org/licenses/by-sa/4.0/
Short URL
InfoField
https://w.wiki/DaWX, https://w.wiki/_pTXW (Shortlink)
Keywords
InfoField
Architectural element, Architecture, Architektur, Architekturelement, Architekturfotografie, Available Light, Available light photography, Bauwerk,
Bild des Tages, Blast Furnace, Blau, Blue, Building, Denkmal, Deutschland, Duisburg, Einpunktperspektive, Eins, Elektrizität, Exzellentes Bild, Featured picture, Fotokunst, Gebäude, Germany, Gewerbe, Green, Grün, Hochofen, Industrial photography, Industrie, Industriefotografie, Industry photographie, Jonathan Park, Kreativität, Kultur, Kulturdenkmal, Kunst, Landscape, Landschaft, Landschaftspark Duisburg-Nord, Langzeit, Langzeitaufnahme, Langzeitbelichtung, LaPaDu, Licht, Long exposure, Museum, Nacht, Nachtaufnahme, Nachtfotografie, Natur, Night, Night photography, Night shot, Nordrhein-Westfalen, North Rhine-Westphalia, Obermeiderich, Object, Objekt, One, One-point perspective, Park, Person, Perspektive, Photo Art, Photographic Art, Picture of the day, Platz, Qualitätsbild, Quality image, Red, Road, Rot, Ruhrgebiet, Spike, Square, Stair, Starburst effect, Straße, Straßen und Wege, Street, Technik, Technikfotografie, Transport, Treppe, Unternehmen, Verkehr, Wirtschaft, 1, 2025
Object location51° 28′ 52.17″ N, 6° 46′ 49.86″ E Kartographer map based on OpenStreetMap.View this and other nearby images on: OpenStreetMapinfo
Camera location51° 28′ 48.13″ N, 6° 46′ 47.6″ E Kartographer map based on OpenStreetMap.View this and other nearby images on: OpenStreetMapinfo

Assessment

[edit]
Picture of the day
Picture of the day
Featured picture
Quality image
Quality image

Wikimedia Commons

This file was the picture of the day on March 11, 2026.
This is a featured picture on Wikimedia Commons (Featured pictures) and is considered one of the finest images. See its nomination here.
This is a quality image and is considered to meet the quality image guidelines.

If you have an image of similar quality that can be published under a suitable copyright license, be sure to upload it, tag it, and nominate it.

Licensing

[edit]
Dietmar Rabich, the copyright holder of this work, hereby publishes it under the following license:
w:en:Creative Commons
attribution share alike
This file is licensed under the Creative Commons Attribution-Share Alike 4.0 International license.
Attribution:
You are free:
  • to share – to copy, distribute and transmit the work
  • to remix – to adapt the work
Under the following conditions:
  • attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
  • share alike – If you remix, transform, or build upon the material, you must distribute your contributions under the same or compatible license as the original.

Notes

For users of the photo

For editors

[edit]

For photographers

How do you take a photo like this?
To give you a little insight into how a photo like this was created, here are a few basic tips and tricks specifically related to this photo.
Basics

First, you should be aware that a good photo is taken by the photographer themselves. The focus is therefore on composition and creativity. At least when you are starting out, it is advisable to follow the rules of composition. The camera and lens are tools for creating the photo. Technically speaking, a photo is only as good as the tools allow it to be.

If creativity and high quality are important to you, you should say goodbye to fully automatic mode. However, individual automatic functions can be useful. It is better to make some camera settings consciously, so it is also important to use them selectively.

There are only a few basic parameters that affect a photo. These are aperture, exposure time and ISO value. The aperture determines the depth of field in the image. The wider the aperture is open, the less sharp the image will be, and vice versa. However, the aperture should only be closed as far as is absolutely necessary. The exposure time should be short enough to prevent the photo from being blurred. The shorter it is, the more likely it is that movement will be frozen. The ISO value determines how sensitive a sensor is to light. The higher it is, the more sensitive it becomes. (More precisely, the light signal is amplified.) However, this has a disadvantage, because as the ISO value increases, so does the noise.

You should be able to focus correctly on the camera. You don't necessarily have to focus manually, but you should be able to select the appropriate focus fields yourself. Furthermore, the significance of the focal length and its effect on the photo should be actively selected. For example, a longer focal length results in a compression effect, which has its own image effect. Even when using a zoom lens, it can't hurt to take a few steps forward or backward.

Of course, this is only a very brief overview. There are other influencing factors and parameters, but these cannot be conveyed in the brevity of this text.
Tips & Tricks
Long exposure photography typically uses exposure times that either reveal the movement of objects or make it impossible to take pictures freehand without blurring. There is no set time for this. Freehand photography is used to achieve certain effects (for example, the panning effect). A tripod is used, for example, for indoor photography in order to achieve the desired sharpness regardless of the exposure time. If the exposure times are not long enough during the day, neutral density filters can be used to extend them.
See also category: Long exposure photography.
Spikes are caused by the diffraction of light. Since the aperture is only approximately round, the light is diffracted at the edges of the aperture blades. The diffraction becomes visible in highlights and becomes stronger as the aperture opening becomes smaller. The effect is visible during the day, for example, when photographing the sun through an opening (e. g., between branches); at night, the effect is visible in small, bright lights, for example.
See also category: Starburst effect.
Perspective (also known as perspective representation) refers to the laws and methods used to depict three-dimensional reality on a two-dimensional surface in such a way that the spatial impression is retained. Perspective is also used in photography. Particular attention is paid to architectural photography, where, for example, converging lines may be intentional or three-quarter views may support the spatial impression. In many motifs, a vanishing point also serves to support the spatial impression.
See also category: Perspective.
The night has its peculiarities. Some of the camera's automatic functions no longer work or do not work correctly, especially the autofocus. Different light sources have different color temperatures, exposure times become longer, and higher ISO values lead to more noticeable noise. However, these challenges also present opportunities: light trails or light painting are possible, illuminated objects stand out from their surroundings, and a flashlight can be used to illuminate specific objects. Using the available light opens up many possibilities and offers scope for creative ideas.
See also category: Night.
The saying “less is more” means showing only what is really important in photography. A good photo does not need many elements. It needs a clear main subject, so decide on a main subject. Instead of showing a lot of the surroundings, get closer to the detail or choose a narrower frame.
Postface

Photography is more than just technique—it's your way of seeing the world.

Maybe you're waiting for the “perfect” subject. For better light. For more time. But creativity doesn't start with perfect conditions—it starts with curiosity. With the courage to look. With the decision to get started today.

The light in the morning tells different stories than the light in the evening. Shadows paint patterns on walls. Raindrops transform into tiny universes when viewed in macro. An ordinary street becomes a stage when you observe it patiently.

You don't need the most expensive equipment. You need your eye. Ask yourself:

  • What do I overlook every day?
  • How does this moment feel?
  • What happens when I get closer—or further away?

Allow yourself to experiment. Play with perspectives. Crouch down. Take pictures against the light. Deliberately crop something out. Break the rules—after you know them. Not every picture has to be perfect. Every picture can be a step.

Creativity comes from doing. So get going. Capture what moves you. Show your view of the world—because no one else sees it the way you do.

Your camera is not a tool for perfection.
It is a tool for expression.

Photographs

[edit]
You like this photograph? That pleases me very much! You would like to see more of my pictures? With pleasure.
Wikimedia Commons has a large number of my photographs available under a free license. This makes it easy for you and me. The license details are for each picture. The use is easier than you think, because in essence, this is just the attribution in the form I want. In addition, usage notes are listed for each picture. And if it does not fit, just ask. My contact information is also available with every photograph.
Maxims

Every photographer has maxims that guide him or her. Sometimes they exist consciously, sometimes unconsciously. So here is an attempt to formulate this maxim for my own photos:

  • I have to like the photos myself. Even if interests change over the course of time, this means that primarily subjects of personal interest are photographed. Subjects of secondary interest serve to increase knowledge and experiment with other techniques or subjects. Commissioned work with special design requirements is not carried out.
  • Free knowledge should be supported. The photos should support knowledge and education in every possible way. I see free knowledge as a valuable asset. There is no commercial interest and it would also stand in the way of creativity.
  • The joy of photography should be visible. Photography should be fun. Beautiful pictures should enable fantasy worlds. My photos should convey all of this.
  • Photos are only offered to third parties if they have been finally processed. The entire development process is carried out by me, from the choice of motif to post-processing. Changes of any kind by third parties are therefore not acceptable. Use is of course permitted subject to the license conditions.
  • The technically possible should be utilized. The equipment sets limits, but the photos should be taken within these limits. This also means that photos are usually taken in raw data format.
  • The photos are part of a creative process. From the idea to the choice of motif to post-processing, the creative process is utilized and the individual view is used to shape it.
  • The photos should serve as a model for others and arouse interest in photography. Photography has many facets, from documentation to artistic use. The special features of this medium are intended to arouse interest in photography and also photographic art.
  • The photos should have a positive effect. My hope is that the photos will help make the world a little bit better and have a positive impact on how we interact with each other. That is why I am particularly pleased when the photos are used for educational purposes or volunteer work.

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current14:21, 16 March 2025Thumbnail for version as of 14:21, 16 March 20253,776 × 4,720 (8.63 MB)XRay (talk | contribs)crop
08:30, 16 March 2025Thumbnail for version as of 08:30, 16 March 20254,384 × 5,845 (10.66 MB)XRay (talk | contribs)Uploaded with LrMediaWiki 1.4.0, LR 14.2 Mac

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